By J.D. Harlock Special Feature for The Comics Journal May 4, 2026 In a career spanning over half a century, Bryan Talbot has earned the moniker “the David Bowie of Comics.” It is a title bestowed not merely for longevity, but for a restless, chameleonic ability to reinvent his aesthetic and narrative voice across every […]
The Architecture of the Interior: Iasmin Omar Ata on a Decade of Graphic Medicine, Diaspora, and the "Catastrophe of the Self"
By Staff Reporter Published: April 29, 2026 In the ten years since the publication of the seminal graphic novel Mis(h)adra, the landscape of sequential art has undergone a seismic shift. Once a niche category, "Graphic Medicine"—the intersection of the medium of comics and the discourse of healthcare—has evolved into a global movement. At
The Eternal Alchemist: Bryan Talbot on the Legacy of Grandville and the Future of the British Graphic Novel
SUNDERLAND — In the landscape of sequential art, few figures loom as large or as varied as Bryan Talbot. Often heralded by his peers as the “David Bowie of Comics,” Talbot has spent over five decades chameleonically shifting between underground comix, superhero deconstructions, historical biographies, and steampunk epics. Today, from the Victorian
The Resurgence of a Surrealist Masterpiece: Dino Buzzati’s "Poem Strip" and the Evolution of the Graphic Poem
The intersection of high literature and sequential art has often produced works that defy easy categorization, yet few are as haunting or visually arresting as Dino Buzzati’s Poem Strip. Originally published in 1969 as Poema a fumetti, the work represented a radical departure for Buzzati, a titan of Italian letters known for his surrealist prose [&
